"Venetian Orb" during the Venice Biennale 2024
The European Cultural Center invites John Ruppert to exhibit “Venetian Orb” in the Marinaressa Gardens during the Venice Biennale 2024.
The European Cultural Center invites John Ruppert to exhibit “Venetian Orb” in the Marinaressa Gardens during the Venice Biennale 2024.
A sculpture exhibition engaging the specific characteristics and alinement of site.
The Center for Art, Design and Visual Culture is proud to present a one person exhibition of John Ruppert’s titled LAB: Empirical Evidence: John Ruppert. The exhibition spans Ruppert's recent explorations with installation, sculptural objects, photography, and sound as it relates to the world around us. Influenced by his intense interest in natural phenomena, Ruppert’s overarching investigation focus on the intersection of the natural world and humanity. In a broader sense, he seeks to develop a heightened consciousness of our precarious existence on the planet.
CADVC’s intention is to allow the artist to orchestrate his individual pieces and/or series within our main gallery space to produce a unique and comprehensive installation blurring the lines between art and science.
Engaging the Landscape with Chain-Link Fabric
Within/Without explores inside and outside spaces, how they intersect and divide, and the role of the camera in transcending those borders through the varied perspectives of ten photographers from around the world.
An exhibition exploring the relationship between John Ruppert's sculpture and photography.
Sculpture commissioned by the Katonah Museum on display from 6/2014 - 6/2015
Commissioned to make a sculpture for the International 2010 Expo in Shanghai, China. The Sculpture is part of a contemporary concept of the "Chinese Garden".
Galvanized chain link fabric
3m x 4m (Diameter)
(KUMU) The Contemporary Museum of Art of Estonia, Tallinn, Estonia
Curators: Mika Hannula, Villu Jaanison and Hanno Soans
This was a 15 year survey exhibition of Ruppert's work, Curated by Gregory G. Knight and sponsored by the Chicago Department of Cultural Affairs.
A 10 page catalog of the exhibition, with an essay by John Beardsley was published.